Storm Thorgerson

Storm Thorgerson

Ummaguma

'Ummaguma'

| £580.00

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Animals

'Animals'

| £895.00

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Delicate Sound of Thunder

'Delicate Sound of Thunder'

| £580.00

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Atom Heart Mother

'Atom Heart Mother'

| £660.00

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Stomp 442

'Stomp 442'

| £375.00

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Stone Heads

'Stone Heads'

| £745.00

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Metal Heads

'Metal Heads'

| £745.00

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Tree Of Half Life

'Tree Of Half Life'

| £580.00

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Wish You Were Here

'Wish You Were Here'

| £770.00

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Dark Side of the Moon 30th Anniversary

'Dark Side of the Moon 30th Anniversary'

| £395.00

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The Dark Side Of The Moon

'The Dark Side Of The Moon'

| £995.00

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‘Graphic designer, film maker and tennis fiend’, as he dubs himself on his website, Storm Thorgerson is perhaps best known for the surreal humour of his Pink Floyd album covers. But his portfolio stretches far beyond burning men in suits and rainbow prisms. Read more

Born in Potters Barn, Cheshire, in 1944, Thorgerson's career took off in 1968 when he formed the design group Hipgnosis, specializing in creative photography mainly for album covers, and working in the dark rooms of the Royal College of Art (he and his associates were still students at the time). His designs include hugely well-known album covers for the likes of Pink Floyd (the Dark Side of the Moondesign was named as one of the greatest album covers of all time), Led Zeppelin, Genesis, 10CC, Yes, Peter Gabriel, Black Sabbath, The Cranberries and, most recently, the cover for Pendulum’s no. 1 Drum n’ Bass album ‘Immersion’—about which, despite its success, Thorgerson has publicly griped.

Thorgerson’s signature style is all the more distinctive in the Digital age: he still assembles real scenes and photographs them, shunning corner-cutting computer technology with which it would be far easier to bring together disparate objects. As he says of his own work: ‘I like to mess with reality... to bend reality. Some of my works beg the question of is it real or not. I use real elements in unreal ways. Is the man really on fire? Why would he just be standing there? Who put the beds on the beach? Why? Why is there a cow on the cover? It doesn't have anything to do with the album, or does it?’

Thorgerson describes what he does as performance art that resonates with the work of the musicians he aspires to represent. His work is typically surreal, often featuring objects removed from their normal contexts and placing them in vast landscapes, this dislocation highlighting the beauty. Once these temporary installations have been caught on camera they are gone, leaving behind the photograph as the only evidence of their occurrence.